The Sackler Crossing
Opened in May 2006, this elegant walkway spanning the Lake is
the work of London-based architect John Pawson. Its graceful design
complements the natural forms of its setting and continues the
English landscape tradition espoused in the Royal Botanic Gardens,
Kew for nearly 250 years, while bringing a contemporary aspect
to Kew’s World Heritage Site.
Inspirations
Kew has played an important role in the history of landscape design,
with leading figures including Charles Bridgeman, William Nesfield,
William Kent, Lancelot ‘Capability’ Brown and Decimus
Burton all contributing to the Gardens’ evolution. The Sackler
Crossing embraces the ideas of two great but very different 18th
century designers. Landscape architect William Kent (1658-1748),
responsible for some of the earliest follies here, felt that objects
and buildings should be “stumbled upon as if by accident”.
Landscape designer ‘Capability’ Brown (1716-1783) expressed
a preference for undulating curves and for what he called the “sinuous
line of Grace”, as echoed in the serpentine path of the Crossing.
Design
The Sackler Crossing is designed to foster clear visual links
between the man-made structure of the bridge and the natural contours
of its setting – the gently rounded shoreline, the smooth
expanse of the Lake and the powerful verticals of trees. The deck
is formed of rhythmic bands of black granite laid horizontally.
Cast bronze vertical cantilevers rise between the granite treads
to form simple balustrades, the top of each upright smoothly contoured
to fit comfortably in the hand. Both stone and bronze will acquire
a rich patina with use and the passage of time.
Set low and close to the lake’s surface, the Crossing is
designed to give an illusion of walking on water. Depending on
the angle of viewing, the spaces between the bronze fins appear
and disappear, giving the structure an intriguing ambiguity between
solid and transparent.
The attraction of water
While water features have figured strongly in Kew’s history,
until now there has been no permanent passage over water, despite
the importance of such structures in the English Landscape Garden.
There have been two major lakes at Kew, both artificially created.
The first lake was created in the 1740s and was an important part
of the design of the old Kew Gardens. It was flanked by several
follies and for a short time featured a wooden bridge which led
to a central island. But when King George III, known as ‘Farmer
George’, wanted more arable land in his garden, a large part
of the lake was filled in. The remnant of the first lake was reshaped
by Decimus Burton in the 1860s to form the current Palm House Pond.
The present two hectare (five acre) Lake lies in a clearing created
by ‘Capability’ Brown and was commissioned by the Director,
Sir William Hooker, in the late 1840s to provide an “open
expanse of water through a portion of the pleasure grounds”.
Situated toward the Thames in the west of the Gardens, the Lake
was formed by extending and filling the gravel pits excavated to
provide spoil for the foundations of the Temperate House. The Sackler
Crossing is the first walkway across the Lake. It provides a new
route through the Gardens and allows a closer appreciation of the
lakeside planting and wildlife as well as the surface of the water
itself.
Planting and the landscape
The plantings around the Lake have been planned so that the islands
blaze with colour in autumn, reflecting with spectacular effect
in the water. Nyssa sinensis, cloned from trees in Windsor
Great Park but originally from China, turns deep red, while Nyssa
sylvatica, from North America, turns red, orange and yellow.
On the north side, new Swamp Cypress (Taxodium distichum)
have been planted. Other moisture-loving trees and shrubs around
the banks include collections of willow (Salix) and dogwood
(Cornus).
New ways of seeing the landscape
In spanning the Lake, the Sackler Crossing opens up new ways of
looking at the landscape and gives visitors another viewpoint from
which to appreciate Kew’s historic geometry.
Sir William Hooker appointed the landscape designer William Nesfield
in 1855. Among Nesfield’s extensive designs was a classic
patte d’oie or goosefoot pattern of three broad vistas radiating
from the rear door of the Palm House: Pagoda Vista leading to the
Pagoda, Syon Vista framing Syon House on the other side of the
river, and a third short vista highlighting a Cedar of Lebanon
near the site of the present Brentford Gate. Although many of Nesfield’s
formal beds have long since vanished, the impact of the grand plan
remains.
The Sackler Crossing creates an intermediate route through the
Gardens spanning Nesfield’s great vistas and allowing visitors
to reach the river more easily from the popular south side of the
Gardens. An arc-shaped route through the heart of the Arboretum
leads from the Marianne North Gallery by Kew Road to the Temperate
House with views each way along Pagoda Vista, across the Lake over
the Sackler Crossing and onwards across Syon Vista, to the Bamboo
Garden and Minka House, Rhododendron Dell, Riverside Walk, and
Brentford Gate.
What’s in a name
The Sackler Crossing is named in honour of philanthropists Dr
Mortimer and Theresa Sackler, whose generous gift, through their
Foundation, ensured the success of this imaginative and inspiring
project.
John Pawson
John Pawson is closely identified with the search for simplicity
that has been characterised as Minimalism. His designs seek to
explore fundamentals – space, light and materials – and
avoid stylistic mannerisms.
His career to date has spanned a wide variety of scales and building
types, ranging from private houses worldwide to Calvin Klein’s
flagship store in Manhattan, airport lounges for Cathay Pacific
in Hong Kong, and the new Cistercian monastery of Our Lady of Novy
Dvur in Bohemia.
Continue the tour
Back
up to: Syon Vista Zone
Carry
on to: Syon Vista
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