Cultivation of trees at Wakehurst Place
Until
the last 30 years or so cultivation of Christmas trees in Britain
was regarded as a by-product of forestry - a useful cash crop from
early thinnings. Traditionally foresters did not worry about putting
much into such a crop so their Christmas trees were poor quality
by modern standards and rather variable. These days there are more
specialist Christmas tree growers who need to produce a uniform
crop of high quality trees and who cultivate a range of different
species each with particular qualities. One aspect of our work at
Wakehurst Place is the promotion of sustainable economic use of
woodland in the UK, and to that end we have been running trials
growing different types of Christmas trees selected from species
we already knew did well here. The trials help landowners and growers
to choose novel species and grow them as sustainably as possible.
As a working family estate, Wakehurst Place has always depended
on products harvested from its woodlands and forestry plantations
to meet the changing needs of its owners through the centuries.
David Marchant, Wakehurst's machinery manager, recalls that in the
1950s, Sir Henry Price, the last private owner, would dispatch a
forester to climb to the top of a good-looking conifer to cut its
top out for use as a Christmas tree in the house. The species of
tree was not important and no-one (except perhaps the cleaning staff)
worried whether it would drop its needles. Sir Henry also provided
trees for the village hall, church, school and the local hospitals
- a generosity that we are able to continue today. The head gardener
would arrange to sell surplus trees to London wholesalers.
When Kew took charge of the estate in 1965, our main preoccupation
was transforming the garden from a private estate to a botanic garden
and the Forestry Commission was called in to manage the woodlands
and plantations. During the first ten years the Commission planted
significant areas with fast growing conifers for timber production.
Where pockets of these failed, Wakehurst's woodland manager, Geoff
Greenough, established clumps of Norway spruce to supply the demand
for Christmas trees to decorate the gardens and buildings at Kew.
Production at Wakehurst Place today
The
great storm of 1987 changed everything. With 15,000 to 20,000 trees
lost in one night, all attention focussed on opening and restoring
the garden. The forestry plantations were abandoned for nearly five
years. By the end of 1991 we were starting to restore other parts
of the estate; the impetus for growing Christmas trees was provided
by Lawrence Lennie, a work placement student from Brinsbury College,
Sussex. He had taken early retirement from the City and started
a new career in countryside management. With his financial background
he was set the challenge of identifying ways in which small woodlands
could become economically viable.
Lennie focussed on Christmas trees as potentially the most profitable
tree crop. He estimated a gross income of £25,110 per hectare
over 7 years. With the initial capital expenditure of £2528
(excluding fencing) it seemed a remarkable return. The inevitable
footnotes revealed that figures were based on certain assumptions:
all trees were sold directly to the public; fertilisation, weed
and pest control would be required; and a wind-break could be needed
- all of which would have consumed considerable resources and have
a significant impact on the final profit margin. The Christmas Tree
Growers Association told us that a single late spring frost or a
pest outbreak can render a crop almost worthless. We learned, too,
of a rector who had invested in Christmas tree production to fund
the restoration of his church but had not realised that the green
spruce aphid could - and, sadly, did - defoliate his entire crop
in the year of sale.
III:
What trees are grown>>>
Note: The above text first appeared as an article entitled
Changing face of an evergreen icon in 'Kew', the magazine
for members of the Friends
of Kew. It was written by Andrew Jackson and Iain Parkinson.
Reproduced with kind permission.
|

|